ugliness n : qualities that do not give pleasure to the senses [ant: beauty]
The condition of being ugly
An unsightly or frightful object
Understanding the nature and meaning of beauty is one of the key themes in the philosophical discipline known as aesthetics. The composer and critic Robert Schumann distinguished between two kinds of beauty, natural and poetic. The former is found in the contemplation of nature, whereas the latter lies in man's conscious, creative intervention into nature. Schumann indicated that in music, or other art, both kinds of beauty appear, but natural beauty is merely sensual delight. Poetic beauty begins where the natural beauty leaves off. The philosopher Immanuel Kant, whose aesthetic theory has been influential, noted that beauty seems to possess both subjective and objective qualities. Arguing for the subjective nature of beauty, he wrote, "The judgment of taste, therefore, is not a cognitive judgment, and so not logical, but is aesthetic – which means that it is one whose determining ground cannot be other than subjective." Kant also noted, however, that when someone calls an object beautiful, "he judges not merely for himself, but for all men, and then speaks of beauty as if it were a property of things."
Further, people's skills can develop and change their sense of beauty. Carpenters may view an out-of-true building as ugly, and many master carpenters can see out-of-true angles as small as half a degree. Many musicians can likewise hear as dissonant a tone that's high or low by as little as two percent of the distance to the next note. Most people have similar aesthetics about the work or hobbies they have mastered.
History of beautyThe earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive. Ancient Greek architecture is based on this view of symmetry and proportion. Modern research also suggests that people whose facial features are symmetric and proportioned according to the golden ratio are considered more attractive than those whose faces are not. Symmetry is also important because it suggests the absence of genetic or acquired defects. Although style and fashion vary widely, cross-cultural research has found a variety of commonalities in people's perception of beauty. Large eyes and a clear complexion, for example, are considered beautiful in both men and women in all cultures. Neonatal features are inherently attractive and youthfulness in general is associated with beauty.
There is evidence that a preference for beautiful faces emerges early in child development, and that the standards of attractiveness are similar across different genders and cultures. These preferences may be important in helping us identify a healthy mate or they may simply be by-products of the way our brains process information.
The foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization. The ideal Roman was defined as tall, muscular, long-legged, with a full head of thick hair, a high and wide forehead – a sign of intelligence – wide-set eyes, a strong browline, a strong perfect nose and profile, a smaller mouth, and a strong jaw line. This combination of factors would, as it does today, produce an impressive "grand" look of handsome masculinity.
Beauty ideals may contribute to racial oppression. For example, a prevailing idea in American culture has been that black features are less attractive or desirable than white features. The idea that blackness was ugly was highly damaging to the psyche of African Americans, manifesting itself as internalized racism. The Black is beautiful cultural movement sought to dispel this notion. Conversely, beauty ideals may also promote racial unity. Mixed race children are often perceived to be more attractive than their parents because their genetic diversity protects them from the inherited errors of their individual parents.
The characterization of a person as “beautiful”, whether on an individual basis or by community consensus, is often based on some combination of inner beauty, which includes psychological factors such as personality, intelligence, grace, charm and elegance, and outer beauty, which includes physical factors, such as health, youthfulness, symmetry, averageness, and complexion.
A common way to measure outer beauty, as based on community consensus, or general opinion, is to stage a beauty pageant, such as Miss Universe. Inner beauty, however, is more difficult to quantify, though beauty pageants often claim to take this into consideration as well.
A strong indicator of physical beauty is "averageness", or "koinophilia". When images of human faces are averaged together to form a composite image, they become progressively closer to the "ideal" image and are perceived as more attractive. This was first noticed in 1883, when Francis Galton, cousin of Charles Darwin, overlayed photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. When doing this, he noticed that the composite images were more attractive compared to any of the individual images. Researchers have replicated the result under more controlled conditions and found that the computer generated, mathematical average of a series of faces is rated more favorably than individual faces. Evolutionarily it makes sense that sexual creatures should be attracted to mates sporting predominantly common or average features. Natural selection results, over the course of generations, in beneficial (or "fit") features replacing their disadvantageous counterparts. This is the fundamental force which drives evolution, and is the major insight into Biology which immortalized Charles Darwin. Thus, natural selection causes beneficial features to become increasingly more common with each generation, while the disadvantageous features become increasingly rare. A sexual creature, therefore, wishing to mate with a fit partner, would be expected to avoid individuals sporting unusual features, while being especially attracted to those individuals displaying a predominance of common or average features. This is termed "koinophilia".
Another feature of beautiful women that has been explored by researchers is a waist-to-hip ratio of approximately 0.70 for women. The concept of waist-to-hip ratio (WHR) was developed by psychologist Devendra Singh of the University of Texas at Austin. Physiologists have shown that this ratio accurately indicates most women's fertility. Traditionally, in premodern ages when food was more scarce, overweight people were judged more attractive than slender. Beauty is not solely limited to the female gender. More often defined as 'bishounen,' the concept of beauty in men has been particularly established throughout history in East Asia, and most notably, in Japan. This is distinct from the idea of being metrosexual, which focuses mainly on the behavior of men in traditionally feminine ways. Bishounen refers to males with distinctly feminine features, physical characteristics establishing the standard of beauty in Japan and typically exhibited in their pop culture idols. The origin of such a preference is uncertain but it clearly exists even today.
Inner beauty is a concept used to describe the positive aspects of something that is not physically observable.
While most species use physical traits and pheromones to attract mates, humans claim to rely on the inner beauty of their choices. Qualities including kindness, sensitivity, tenderness or compassion, creativity and intelligence have been said to be desirable since antiquity. However new research comparing what humans claim to find attractive to their actual mating habits underlines the superficiality of "inner beauty," underlining the fact that the human animal relies on physical traits and pheromones just like every other animal to find a mate. That said, whether "inner beauty" does or does not measurably affect humans' mating habits, some traits classified as "inner beauty" do give an evolutionary survival advantage to either the individual or mating couple or group or all three.
Effects on societyBeauty presents a standard of comparison, and it can cause resentment and dissatisfaction when not achieved. People who do not fit the "beauty ideal" may be ostracized within their communities. The television sitcom Ugly Betty documents the life of a girl faced with hardships due to society's unwelcoming attitudes toward those they deem unattractive. However, a person may also be targeted for harassment because of their beauty. In Malèna, a strikingly beautiful Italian woman is forced into poverty by the women of the community who refuse to give her work in fear that she may "woo" their husbands.
Researchers have found that good looking students get higher grades from their teachers than students with an ordinary appearance. Furthermore, attractive patients receive more personalized care from their doctors. Studies have even shown that handsome criminals receive lighter sentences than less attractive convicts. How much money a person earns may also be influenced by physical beauty. One study found that people low in physical attractiveness earn 5 to 10 percent less than ordinary looking people, who in turn earn 3 to 8 percent less than those who are considered good looking. Discrimination against others based on their appearance is known as lookism.
In a different context, the term "beautiful people" is used to refer to those who closely follow trends in fashion, physical appearance, food, wine, automobiles, and real estate, often at a considerable financial cost. Such people often mirror in appearance and consumer choices the characteristics and purchases of wealthy actors and actresses, models, or other celebrities. The term "beautiful people" originally referred to the musicians, actors and celebrities of the California "Flower Power" generation of the 1960s. With the close of the 1960s, the concept of beautiful people gradually came to encompass fashionistas and the "hip" people of New York City, expanding to its modern definition.
See alsowikiquotepar Beauty
ugliness in Tosk Albanian: Schönheit
ugliness in Arabic: جمال
ugliness in Azerbaijani: Gözəllik
ugliness in Catalan: Bellesa
ugliness in Danish: Skønhed
ugliness in German: Schönheit
ugliness in Estonian: Ilu
ugliness in Spanish: Belleza
ugliness in Esperanto: Belo
ugliness in Persian: زیبایی
ugliness in French: beau
ugliness in Icelandic: Fegurð
ugliness in Italian: Bellezza
ugliness in Hebrew: יופי
ugliness in Latin: Pulchritudo
ugliness in Macedonian: Убавина
ugliness in Dutch: Schoonheid
ugliness in Japanese: 美
ugliness in Norwegian: Skjønnhet
ugliness in Polish: Piękno
ugliness in Portuguese: Beleza
ugliness in Romanian: Frumuseţe
ugliness in Russian: Красота
ugliness in Simple English: Beauty
ugliness in Serbian: Лепота
ugliness in Finnish: Kauneus
ugliness in Swedish: Skönhet
ugliness in Thai: ความสวยงาม
ugliness in Cherokee: ᎤᏬᏚ
ugliness in Turkish: Güzellik
ugliness in Yiddish: שיינקייט
ugliness in Contenese: 靚
ugliness in Chinese: 美
bearishness, bitchiness, cacophony, cantankerousness, churlishness, coarseness, crabbedness, cracked voice, crankiness, crossness, crustiness, cussedness, disagreeability, disagreeableness, discord, displeasingness, displeasure, distastefulness, dryness, excitability, fractiousness, gruffness, gutturalism, gutturality, gutturalness, harshness, hoarseness, huffiness, huffishness, huskiness, irascibility, irritability, meanness, orneriness, perversity, raspiness, raucity, roughness, rudeness, scrapiness, scratchiness, snappishness, stertorousness, testiness, thickness, throatiness, unappealingness, unattractiveness, undelectability, undesirability, unpalatability, unpleasantness, unpleasingness, unsavoriness, waspishness